August 1559. As the long hot Italian summer draws to its close, so does the life of a rigidly orthodox and profoundly unpopular pope. The harshly repressive papacy of Paul IV has seen the establishing of the Roman Inquisition and the Index of Prohibited Books, an unbending refusal to open dialogue with Protestants, and the ghettoization of Rome's Jews. On 5 September 1559, as the great doors of the Vatican's Sala Regia are ceremonially locked, imprisoning for sixteen weeks the forty-seven cardinals who would choose his successor, the future of the Catholic Church – and the whole of Europe – hangs in the balance.
Mary Hollingsworth offers a compelling and sedulously crafted reconstruction of the longest and most taxing of sixteenth-century papal elections – a conclave that was acrimonious and faction-ridden even by the exalted standards of such disputatious gatherings. Its crisscrossing fault lines divided not only moderates from conservatives, but also the adherents of three national 'factions' with mutually incompatible interests. France and Spain were both looking to extend their power in Italy and beyond and had very different ideas of who the new pope should be – as did the Italian cardinals.
Drawing on the detailed account books left by Ippolito d'Este, one of the participating cardinals, Conclave 1559 provides remarkable insights into the daily lives and concerns of the forty-seven men locked up for some four months in the Vatican. Its anatomizing of the repeated voting, relentless bargaining and counter-bargaining, and eventual compromise that brought the conclave to an exhausted close, provide a fascinating snapshot of the high politics of Christian Europe at a crucial crossroads in its history.
Mary Hollingsworth has a B.Sc. in business studies and a Ph.D. in art history. Her doctoral thesis dealt with the role of the architect in Italian Renaissance building projects and led to research on the role of the patron in the development of Renaissance art and architecture, a subject she taught to undergraduates and postgraduates, and published in two books (see below).
Her subsequent work on the papers of Cardinal Ippolito d’Este considerably broadened her horizons, and expertise, well beyond the confines of art history into the everyday world of Renaissance Europe. She has publ...
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