Andrew Lownie uses his expert knowledge in the publishing field to maximise the potential of his clients and build up their careers. Here Andrew Lownie, and some of his clients and guest columnists, share advice on a variety of topics to writers. Elsewhere on the site you can find a Frequently Asked Questions list on literary agents, as well as advice for submitting work to agents.

  • Top tips when negotiating contracts

    23 Jun 2017

    Stephen Aucutt, formerly contracts manager at Hodder & Stoughton, draws on his thirty years experience to provide a contracts checklist when agreeing terms with trade publishers. He can be reached at 1. Ensure that any and all terms and conditions agreed before issue of the contract have been included accurately. Pay particular attention to any terms or conditions which have the effect of altering what was agreed pre-contract, e.g. a royalty of 10% of retail price on hardcover trade sales agreed but, contract contains several provisions which provide for ...Read more

  • Creating a professional book trailer using Adobe Spark

    04 Apr 2017

    Piu Eatwell shows how any author can produce a book trailer. The received wisdom is that book trailers are only useful to YA writers. For the rest of us authors, the average cost of having one made – anything from £500 to over £2,000 – is simply not worth the money. Well, yes and no. Cetainly, book trailers won’t make a success of a book by themselves. However, if shared on social media or uploaded onto Youtube or Reddit, they can help spread the word about a new book. If, like me, you are a writer of narrative fiction or non-fiction who is keen to increase the chances of having a f...Read more

  • My Writing Space by Lynne Barrett-Lee

    09 Nov 2016

    Agency author Lynne Barratt-Lee describes where she writes. I’ve wanted to be an author for as long as I can remember, and along with that came a very clear vision of where I’d write. Though I read many books in which people wrote in secret, magical places –nooks in elderly oak trees, in wardrobes, while stowed away at sea – my own vision was rather more grand. As a child, I would write in exercise books, at the kitchen table, and sometimes I’d dream of being a proper writer, and how, when I was, I would write where a proper writer would. I would write in a big house, set high over ...Read more

  • How To Profit From The Promotional Power Of Twitter

    25 Jul 2016

    Last year agency author David McClure wrote about how social media helped launch his book. Here’s what happened this year. For the last few summers I’ve tried to promote my book on the royal finances “Royal Legacy “ by being the first to tweet about one of the biggest financial events of the year (at least to sad Windsor-watchers like me): the announcement of the Queen’s private income from the profits of her hereditary estate, the Duchy of Lancaster (HM hit the jackpot in 2016 with record receipts of £17.8m). In year one, I broke the story on Twitter thanks to m...Read more

  • The People's Book Prize award ceremony

    22 Jul 2016

    On Tuesday I went to the award ceremony for the People's Book Prize. It was a black-tie affair at the grand Stationer's Hall in London and I was one of 12 writers shortlisted for the fiction category for my novel The Art of Letting Go. First things first, I didn't win. My category was won by The Road to Donetsk by Diane Chandler. This however, was a minor detail. I had a fabulous time! I am not the sort of person who does black-tie or socialising and especially not networking, so it wasn't the kind of event I would've said suited me at all. It was brilliant though - a complete change fro...Read more

  • A Genius Bar for Books

    12 May 2016

    Jeremy Dronfield, author, ghostwriter, book consultant and the agency's reader interviewed. You’ve had an unusual career trajectory, going from fiction to non-fiction and ghostwriting. How did that come about? Being a writer isn’t what it used to be. The joy of creation may be timeless, but the way we research, write and sell books is changing constantly. At the same time, being a writer in the other sense – existing, earning a living from the written word – is changing too. Advances are declining in size and getting harder to come by, we have to work harder (and spend more) to do our...Read more