Kris Hollington biography


Kris Hollington is a bestselling non-fiction author and ghost-writer of twenty books, several of which have been adapted for documentaries (including Channel 4’s Cutting Edge and ITV1’s Real Crime) and dramas.

The Interceptor: The Inside Story of the UK’s Elite Drug Squad, written with former Customs operative Cameron Addicott (Michael Joseph, July 2010) is being adapted into an eight-part BBC1 prime-time drama series, filming now, with Kris as Story Consultant, to be broadcast early in 2015.

Recent books by Kris include: Hurting Too Much: Shocking Stories From the Frontline of Child Protection, with Detective Sergeant Harry Keeble, (S&S, Feb 2012), a bestselling account of life in Hackney’s child protection unit – the third in a series which also includes Little Victim (S&S, Feb 2011) and Baby X (S&S, Jan 2010). These books have all spent several months in the bestseller lists, selling over 150,000 copies.

Kris has ghosted the biographies of a round-the-world sailor, one of the UK’s most senior policemen, a leading women’s rights campaigner, and the unusual life story of the diminutive actor Warwick Davis (Size Matters Not, Aurum Press, 2011), which served as the inspiration for Ricky Gervais’s BBC series Life’s Too Short.

In 2010, he wrote a play for Radio 4 Screamabout the 2004 theft and recovery of Edward Munch’s iconic painting. He is collaborating on another play for Radio 4, ‘The Listeners’, set in GCHQ and, remarkably, was given access to GCHQ’s ‘Donut’, the UK’s most secretive building, as part of his research.

His most recent books include Unthinkable: The Shocking Scandal of Britain’s Trafficked Children (Simon and Schuster, March 2013), entered for the Orwell Prize 2014 and Criminal London: A Sightseer’s Guide To The Capital of Crime (Aurum Publishing, March 2013), shortlisted for the British Travel Press Awards Guidebook of the Year.

Kris is married to the photographer Nina Hollington and they live in East London.



How I Found the Agency

I discovered Andrew by going through the author’s bible, the Writers' and Artists' Yearbook, and was drawn to the fact that he represented several other journalists. Andrew was the most positive of the four agents I approached and the quickest off the mark. By the time the other agents had got in touch I had already decided that Andrew was the one; he immediately made me feel that my book was as good as published. Five books down the road, I can’t thank him enough for his unstinting support and patience, as well as his wise and speedy counsel.